“A breathless Sony flack imagined one fantasy that would soon come true: On your telephone, you will be able to watch video clips of other people playing a fighting game, decide which opponents you would like to fight, and then challenge those people to fight (later, when you’re using the actual PlayStation 4). You can tell we live in a privileged society when we have to work this hard inventing things to desire.”—A slightly different look at the PS4 launch
“The other day, perusing this file, he found a joke in which, discussing touch-screen phones, he likens the act of scrolling through a contact list and deleting names to the effete, disdainful gesture of a “gay French king” deciding whom to behead.”—Jerry Seinfeld NYT Profile
“I never think about myself as an artist working in this time. I think about it in macro. I feel like Elton John just made “Tiny Dancer.” He just made that shit like last night. Jimi Hendrix just burned his fucking guitar onstage. Right? Freddie Mercury just had the half mike stand in his hand in the fucking stadium. Prince was just on the mountain in “Under the Cherry Moon.” And I was there. That’s how I look at it. Like this shit just went down. You see the mastery that I’m surrounded by? How on earth am I going to take the easiest way? A friend of mine jokes that I have a painstaking royalty complex. Like maybe I was a duke in a past life. But all you have is 100 percent. Period.”—Frank Ocean
“He still takes a hand in forming the trainees into idol groups, including S.M.’s newest one, EXO. The group has twelve boys, six of them Korean speakers who live in Seoul (EXO-K) and six Mandarin speakers, who live in China (EXO-M). The two “subgroups” release songs at the same time in their respective countries and languages, and promote them simultaneously, thereby achieving “perfect localization.”—Cultural technology and the making of K-pop.
“Idleness is not just a vacation, an indulgence or a vice; it is as indispensable to the brain as vitamin D is to the body, and deprived of it we suffer a mental affliction as disfiguring as rickets.”—The ‘Busy’ Trap - NYTimes.com
“A glass barrier separates the visitors’ gallery and the floor: I ask my tour guide about it. “It’s not to stop people from throwing things at their government,” she says, then goes on to explain. Some years ago an Irish politician came late, after the doors had been locked. He ran up to the visitors’ gallery, jumped down from it into the press gallery, 10 feet below, and from there rappelled down the wall to the floor. They allowed the vote, but put up the glass barrier. They disapproved of the loophole, but rewarded the guy with the wit to exploit it. This, she claims, is very Irish.”—Irish parliament sounds awesome.
“A few months after the spell was broken, the short-term parking-lot attendants at Dublin Airport noticed that their daily take had fallen. The lot appeared full; they couldn’t understand it. Then they noticed the cars never changed. They phoned the Dublin police, who in turn traced the cars to Polish construction workers, who had bought them with money borrowed from Irish banks. The migrant workers had ditched the cars and gone home. Rumor has it that a few months later the Bank of Ireland sent three collectors to Poland to see what they could get back, but they had no luck. The Poles were untraceable: but for their cars in the short-term parking lot, they might never have existed.”—When Irish Eyes Are Crying
“He explained that, in 1998, his father had been kidnapped by bandits for seventy-two days. After the family paid two ransoms, Federico was released, and Guillermo moved his family to America. Although the experience was wrenching, he observed, “I highly recommend you save your father’s life. You don’t see yourself as somebody’s child anymore. You become a man saving another man.”—Guillermo del Toro’s Amazing Creatures : The New Yorker
“The use of that last phrase, “style over substance” has always been, as Oscar Wilde observed, a marvellous and instant indicator of a fool. For those who perceive a separation between the two have either not lived, thought, read or experienced the world with any degree of insight, imagination or connective intelligence.”—Steve Jobs « The New Adventures of Stephen Fry
“Another thing I did not write about quitting Facebook was that one of the great social pleasures in my life has been to leave gatherings or parties unannounced. You know, when the party is socked in solid from the front door to the kitchen, and the conversation is drying up like old squeezed limes, it’s easiest to keep heading out the back. How cool the night. How open and unquestioning the darkness. Often I went to parties to be able to vanish from them. But the disappearing act rarely happens any more; I could never get away with it. Such pleasures one has to give up because they’re so unsuited to middle-aged life. You get trained, after a while, to going to every person in the room. Hey, great to see you again. See you later. Send me a note about that thing. Yes, let’s do that. Goodbye, bye”—What I Didn’t Write About When I Wrote About Quitting Facebook
“From Google+, Facebook, and Twitter to SMS and corporate messaging, this generation is developing an instinctive set of behaviors and expectations around these tools. They are very savvy in understanding which medium is most appropriate for the message and for the recipient, whether it’s a dinner invitation or asking someone out on a date. They know they have to find the appropriate interrupt signal, and that different channels send different signals, with numerous subtleties that we are only just starting to understand. In three years, that generation will be in employment, and marketers will need an intricate understanding of all their behaviors.”—Following Generation Z | Think Quarterly by Google
“Ten years ago today, we still had not yet met the iPod. The last of Steve’s five decades on this Earth ended up being his most accomplished by far. Remember that whenever you think your best days are behind you. We can’t control when our lives begin, and we can’t really control when they end. All we have is what’s in between. Make it count.”—Drance on SJ
“Connectivity will replace repetition.5 Instead of generating false nostalgia by having the same experience over and over, we will aggregate false nostalgia from those fleeting moments when everyone seemed to be doing the same thing at once. It won’t be a kid playing the same song 1,000 times in a row; it will be that kid remembering when he and 999 other people all played the same song once (and immediately discussed it on Twitter, or on whatever replaces Twitter). It will be a short, shared experience that seems vast enough to be justifiably memorable.”—Chuck Klosterman on Nostalgia
“In the end, if you wanted a bomb and calculated the odds, you would have to admit that they were stacked against you, simply because of how the world works—and that this may be why others like you, if there have been any, have so far not succeeded. You would understand, though, that the odds are not impossible. You would of course have many concerns as you moved ahead. But perhaps the thing that should worry you the least is the American government’s war on terror.”—How to Get a Nuclear Bomb - The Atlantic
“Cal Newport’s three step way to become interesting:
1. Do fewer structured activities.
2. Spend more time exploring, thinking, and exposing yourself to potentially interesting things.
3. If something catches your attention, use the abundant free time generated by rule 1 to quickly follow up.”—
“Because TV is so simultaneously personal (it exists inside your home) and so utterly universal (it exists inside everyone’s home), people care about it with an atypical brand of conversational ferocity — they take it more personally than other forms of art, and they immediately feel comfortable speaking from a position of expertise.”—Chuck Klosterman on Breaking Bad - Grantland
“Gilligan has the nerve to provide his own hopeful answer. “Breaking Bad” takes place in a universe where nobody gets away with anything and karma is the great uncredited player in the cast.”—NYT: The Dark Art of ‘Breaking Bad’
“The unit could be strapped to a subject’s wrist, where it would flash a number at a rate just beyond the threshold of perception. If time slowed down, Eagleman reasoned, the number would become visible. Now he just needed a good, life-threatening situation.”—David Eagleman and Mysteries of the Brain : The New Yorker
“Back home there were women around. He fell in love with several but in single file. He was not a misogynist. He was a serial monogamist. Somehow the women always left him. It was always sad.”—The Wave-Maker
“Eighty-foot, 90-foot, 100-foot faces—who knew? A 100-foot wave is the size of a 10-story building. Getting drawn up that face and thrown from the top would be like being thrown from a 10th-floor window and then having the building collapse onto your head.”—The Wave-Maker